Deadstar Assembly Killing Myself Again Lyrics

Alarm: Hither lies past far the heaviest, darkest, grittiest sonic material to have been ever conceived by the human brain. Exist very sure you're highly trained before y'all mind to any of these songs, especially those residing at Level 11, otherwise you lot better catch some Brain Bleach. Really, if you're starting hither, to say that yous're out of your damn mind would be ane hell of an understatement. You lot Have Been Warned. ^annotation ...Or, you know, yous can just ignore our warning and listen to them at full book with headphones on. What Could Possibly Go Wrong? (cue head explosion)

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Genres: Death Metal, Deathcore, Mathcore, Aggrotech, Grindcore, Heavier Melodic Death Metal, The Heaviest Thrash Metal, Powerviolence, Blackness Metal, Chaff Punk, harder Industrial Hip-Hop, Digital Hardcore, Heavy Drum and Bass, Darkstep, Neurofunk, Drill 'n' Bass, Hard / Harsh EBM, Brostep, the Hardest Trap Metal, Glitch, lighter Drone Metal, Death / Doom and Funeral

Matching Mineral: Diamond

• Neighbours (32Crash)
• Adept in Divinity (A Hill to Die Upon)
• Simulated Mystics (Abbey Nex)
• Monarch Omega (Abnormality) ^note A female fronted example.
• Medical Deviance, Divine Impediment (ft. Travis Ryan) and Retrogore (Aborted)
• Sky in Blood ^notation the Der Fünfzehnjährige Krieg version;a rare example of the more than raw sounding original beingness softer. and Eternal Wintertime ^note The Facta Loquuntur version; this was also remade for Der Fünfzehnjährige Krieg. (Cool)
• Programmed to Consume and The Inevitable Return to Darkness ^annotation Deadline 11 (Bottomless Dawn)
• Berserker (After the Burying)
• Abbatoir (AGLORY)
• And their Eulogies Sang Me to Sleep (The Agonist) ^note Despite the clean vocals halfway into the song, it's besides heavy to be a nine.
• The Breaking Point (Aivy and Serasshu, Steven Universe soundtrack) ^note The ambient passages and string sections keep it from going higher on the scale, only the breakdown is a solid eleven, along with dissonant noise in the quieter sections. Aye, this comes from a children'southward drawing known for its melodic musical sequences.
• Our Cosmic Casket (Allegaeon)
• Wage Slaves (All Shall Perish)
• Principalities (Alex S.) ^note The trance sections proceed information technology from being an eleven.
• Hell S.D. (Alien Vampires) ^note Non an xi thanks to its trance influences; that beingness said and all, this may very well exist among the hardest songs to get a 10 on the scale.
• Burnt Year (Altar of Plagues) ^notation Arguably the only thing keeping this song from being an 11 is the somewhat more than subdued ending, and it's nonetheless a hard to solid 10. By far one of the heaviest post-black metal songs on this list, helped along by Dave Condon's tortured, well-nigh inhuman-sounding vocals. On the whole, this album, Teethed Glory and Injury, zig-zags betwixt level ane ambient material, diggings level 11 black metal, and everything in between. Well-nigh of the ring'south earlier material rarely goes in a higher place 9.
• Junky (The Amenta)
• God, His Son, and Holy Whore (Amon Amarth) ^annotation Undoubtedly Amon Amarth'southward hardest song to date.
• Drug-Fucking Abomination,Forging Towards the Sunset ^note Borderline eleven Virus Bomb and Hold your Children Close And Pray for Obvilion (Anaal Nathrakh) ^note All of these songs reach the vicious level eleven audio this band is known for, but the softer/more melodic aspects of Anaal Nathrakh'due south sound drag these down to a 10
• Downward Spiral Into Madness (Anata)
• Dissenter (Anberlin) ^note Bizzarly high up on the calibration for a band that otherwise tops out at seven for the most part.
• Toxic Daughter (Angelspit) ^note Although this is a pretty soft x, information technology's nevertheless Angelspit's hardest song to engagement.
• Stabat Mater Dolorosa (Anorexia Nervosa)
• Portrait of Souls (Annotations of an Dissection)
• Unchained and Remnants ^note Deadline 11 (Antestor)
• Welcome to Decease (Antidemon)
• Come to Daddy (Pappy Mix) (Aphex Twin)
• Throat Shovers (Archagathus)

• Mouth of Empty Praise (Bloodbath)
• Smite and In Hell I Roam (Blood Red Throne)
• Sickening Dogma and Godless (Bloodshot Dawn) ^notation The latter is a deadline 11.
• No Guts No Glory (Bolt Thrower)
• 1077 (Boom Kitty) ^annotation The electric beats are harsh plenty to push the vocal this high up.
• Sovereign, Mescalink ^note A pretty difficult x at that. Despite the dark, quiet, atmospheric nature of the majority of the song a la Kill the Noise Function 2, the roughshod, screechy drop is an like shooting fish in a barrel 11. and Dex Arson - Bipolar (Bossfight Remix) (Bossfight)
• Vices (Brand New) ^note This version removes the infinitesimal-long opera intro, which isn't office of the actual vocal. A rare example of an indie stone band going screamo.
• Pray for Plagues (Bring Me the Horizon)
• Incinerated (Cleaved Hope)
• Crushed (Brutality)
• Bio Lab and Hoover Dam (BT, Dice Hard Trilogy 2: Viva Las Vegas soundtrack)
• LXXXI (Bull of Heaven)
• Dunkelheit (Burzum)
• Whiskey Fit (Buzzov En) ^note Easily a borderline xi.
• Hammer Smashed Face, Necropedophile ^annotation these would be considered borderline 11 at the time of release due to Barnes' husky growls and Kill or Become (Cannibal Corpse)
• The Causeway (Helm America: The Wintertime Soldier Soundtrack)
• Corporal Jigsore Quandary (Carcass)
• Hell Chose Me (Carnifex)
• Your Disposal (Cattle Decapitation)
• Judas Pariah (Cavalera Conspiracy)
• Renai Circuit Bent (CDR) ^note The original "Renai Circulation", which this samples, is a 2.
• One Good Reason, First Person Shooter, ShutEmDown and My Disintegration (Celldweller)
• Endless Wheel of Violence (Cephalic Carnage)
• The Bald Cadaver (Cerebral Bore) ^note One of the few female person-fronted bands to achieve this level. Borderline 11.
• Suicide Jag (Chemlab)
• Asleep, Destroy And Boss, Nothing Remains, Resurrection (Chimaira) ^note "Comatose" and "Zilch Remains" are examples of a Metalcore/Groove Metal song reaching level 10.
• Open Flavor and Dull Death ^note The live recording on Knife Protocol is even harder due to the demo-quality audio (City Hunter) ^notation Borderline 11 due to the loud and annoying product, equally well as the snarling and heavily distorted vocals.
• Arsonry (Cobalt)
• Forever and Swallowing the Rabbit Whole (Lawmaking Orange)
• My Spine! My Spine! My Spine! (Combat Wounded Veteran)
• I Want Your Blood, Never Give up ^annotation An case of an EBM song reaching Level ten. The heavy brostep and Industrial Metal influence contribute to the vocal'southward extreme hardness. and This Shit Will Fuck You Up (Combichrist)
• No Heroes, Wishing Well ^note The rock n' roll influenced intro keeps it from being a borderline eleven. and Concubine ^note The faster parts are a borderline 11 at some points. (Converge)
• Hurting Amplifier, Shelter, Storm, and Beat the Racket (Covenant)
• Out Of Attain and Tentacle Vortex (Crash-Scan) ^annotation Both are deadline 11 material due to their harsh textures and incredibly bleak atmosphere.
• Crazy Bus title screen (CrazyBus soundtrack)
• Disobey and Aeon (Crystal Lake)
• Phobophile (Cryptopsy) ^note The beginning prevents information technology from getting an 11.
• Leash (Cult of Luna)
• The Human with the Transparent Face up(Cursor Miner)
• Trigger (Cylab)
• Die Tomorrow (What If You Should?) and Face The Colossus (Dagoba) ^notation The make clean song sections continue both of these at a x. That said, the latter is nevertheless a deadline 11 due to product reasons.
• The Burning of Sodom (Dark Angel) ^annotation The slower riff would be more at abode in a level 8 or 9 song, just the rest of the runway, including its vocal style, is annoying, fast, and evil enough to earn a 10.
• My Funeral (Nighttime Funeral)
• Dark 3.14 (Darkspace)
• Vindicate (Datsik & Excision) ^note Despite a particularly poppy intro reminiscent of Flux Pavilion's "Blow The Roof" (at level 7), the song's extremely jarring drop ranks information technology at a solid 10, though information technology's pretty soft for two artists known for making level 11 dubstep.
• The Combustible Man (Daughters)
• Party Starta (Dayn) ^note Hard plenty to be an 11, simply the interludes preceding the drops are fairly soft.
• FML (deadmau5)
• Killing Myself Once more (Deadstar Assembly) ^notation Despite having snarling vocals a la Thrash Metal rather than death growls, it's here for the sheer aggression of the main melody, the breathy Industrial Metallic influences, and the morbid lyric content. Their hardest song nevertheless.
• Useless Sacrifice (Death Decline) ^notation For the Nightmare Retardant edition, see hither.
• Jubilate Deo (O Be Joyful in the Lord) (Deathspell Omega)
• Inanimate Sensation and The Powers That B (Death Grips)
• Spheres of Madness (Decapitated)
• Combustion, Slaughter (Decoded Feedback)
• Polarity (Bedraggled Birth)
• When Girls Phone Boys,Aristocracy ^annotation Here at level 10 due to the downright frightening, borderline uncanny distortion on Chino Moreno's vocals, which keeps information technology from being a hard ix. Too, this is the hardest Grammy Honor-winning song in the scale.(Deftones)
• Fuck Your God, Homage for Satan (Deicide) ^note A solid xi when the latter first came out
• Finish Of Days and Gargantua ^note The second driblet edges dangerously close to 11. Also the heaviest song they've made, and that's saying a lot coming from a duo with a name similar Delta Heavy. (Delta Heavy)
• Autistic Savant (De Lirium'due south Order)
• Pyroclastic Annihilation (Demolition Hammer) ^annotation Again, a rare instance of a thrash metal song reaching level 10.
• Storm the Gates of Hell (Demon Hunter) ^note It'south also aggressive for Level 9, despite the thrashy guitar tone.
• I Ejaculate Burn down (Dethklok)
• Suicide The Terminate (Detrimental)
• Dead To Rights (DevilDriver) ^note An case of a Melodic Decease Metal song reaching 10. The very heavy grooves continue it from existence a hard 9.
• Pandemic and Poltergeist (Devin Townsend Projection)
• Distorted (Devolved)
• Embers and Soul Snatcher (Dex Arson)
• Coma Gold (DIO -Distraught Overlord) ^notation The rearrange is an 11.
• 43% Burnt, Goodbye Mona Lisa ^note kept from existence an 11 by the soft interlude at 2 minutes, Lurch, Panasonic Youth, Prancer ^notation borderline 11 (The Dillinger Escape Plan)
• Obscure (Video Highly NSFW) (Dir en greyness) ^note Never mind the ambient intro. The wholeness of this vocal is extremely heavy, mosh-friendly deathcore In the Style of... SikTh. Easily ranks at a 10, even with an intro like that.
• Walk In The Fire (Dirtyphonics) ^note This is one interesting example of a level 10 drum and bass song. What sets it apart from other electronic music songs is the nearly-ubiquitous utilize of heavily distorted guitars and the brostep influences.
  • Vandals is also a solid 10. ^note ...Though the part starting at around the iii minute marking could possibly sit at level 11.
• Your Prophetic Throne of Ivory (diSEMBOWELMENT)
• Skin Her Alive (Amputate)
• Drain the Fifth (Divine Heresy)
• Gradiusic Cyber (DJ Taka, beatmania IIDX soundtrack)
• Bitch Dial (Dj-Nate) ^note This is fairly light equally far equally speedcore goes; there's some nasty spots, but overall there'south plenty calm parts to keep information technology a 10.
• ]-[_-34(#!, Mercilessness,Zatsuza, Tenshi (Dodonpachi Daifukkatsu, Daifukkatsu Black Characterization and SaiDaiOuJou) ^note After songs might cross over into 11. The farther yous go and the truer and more than terminal the boss the harder and more than frantic the track gets.
• Vacuum and Cleaner (Doin, Pump It Up Fiesta EX soundtrack) ^note The former is a borderline 11.
• In Die Nacht (Dornenreich)
• Cobra (Drumsound & Bassline Smith)
• Ode (Drunkdriver)
• One Shot, Ane Kill (Dying Fetus)
• Cowards Feed, Cowards Bleed (Dying Wish) ^note Pretty impressive for a metalcore ring to achieve this level.
• Zeichnungen des Patienten O.T., Tanz Debil, Negativ Nein, and Schmerzen Hören (Hören mit Schmerzen) (Einstürzende Neubauten) ^annotation "Negativ Nein" is i of the about bizarre 10s listed hither because of a combination of the wobbly h2o-like sounds generated from the treatment of custom musical instruments and Blixa Bargeld's incredibly abrasive vocals. Also, less than half of the original 1981 version of Kollaps (including "Negativ Nein", "Tanz Debil", and "Schmerzen Hören") and at most virtually a quarter of Zeichnungen des Patienten O.T. (including the title rails) is a 10.
• Return Trip (Electric Wizard) ^note Despite being incredibly loud, the melody and singing are as well chilled out to count as an 11.
• Sworn (Emperor)
• Chocoreeto and Cagayake Fakku (Emray)
• Verrat (Equilibrium) ^note A rare folk metallic example to reach this level. Arguably 9 for the more melodic parts though.
• Beingness VIP (Excision & Downlink) ^note Was a difficult 11 when information technology start came out.
• Inferno (Extol) ^note And that's even despite having a violin in it!
• Murder (Extreme Dissonance Terror)
• Sharpening Our Blades on the Mainstream (Eyeconoclast)
• Coldly Calculated Pattern (The Faceless)
• Drop the Bomb and 600 Years (Far Too Loud)
• The Industrialist and Self Immolation (Concrete) (Fear Factory)
• Powerful Sickness (Fetal Decay)
• Animate being Mode (Effigy)
• Bloodgod (The Final Harvest) ^note Instance of a pure metalcore vocal reaching this level.
• Visualized ^note That band pic at :ten is probably Non what you were expecting them to look like, correct? (Flagitious Idiosyncrasy in the Dilapidation)
• Thru Our Scars and The Violation ^note An example of a song where the symphonic elements make it heavier. The drumming, yet, is easily worthy of a level 11 song. (Fleshgod Apocalypse)
• The Fallen Child (Toby Flim-flam, Undertale soundtrack) ^annotation A fleck likewise ethereal for an 11.
• Applejack Bucks 400 Apple tree Trees, Psychotic Cupcakes, Demented Cupcakes (Foozogz)
• Fright (Adam Freeland, Rez soundtrack)
• Echogenetic and Exhale (Front Line Assembly)
• Fabrik ^note The intro is xi, merely non the rest of the song and Kapitulation (Funker Vogt)
• 50 Quotient and Snake Fist Style (FuntCase)
• Train (Gearwhore)
• Detest or Glory (Gesaffelstein) ^note The song gets slowly heavier overtime, with the finale being a solid eleven. Information technology sits around a 10 on boilerplate, though.
• Fallout (FuntCase Remix) (Getter)
• Bonesaw and Bonesaw VIP (Getter and Trampa) ^annotation Both were 11s when they first came out, though the latter is at to the lowest degree a borderline 11.
• You Think Yous're (John Fucking Lennon) ^notation It would easily be an xi due to Daryl's Farthermost vocals, but gets down to a soft 10 due to the melodic chorus, which goes down to a 6. Pretty impressive for a Post-Hardcore band. (Glassjaw)
• AZALEA (Glitched Hero Y)
• Can't Kill Us and Better Hide, Amend Run (feat. Marker Johns) (The Glitch Mob)
• Cheeseburger Karma 2004: A Jam Odyssey (The Great Redneck Promise)
• The Lair of the White Worm (God Dethroned)
• Streetcleaner (Godflesh)
• Adoration For None (ft. Randy Blythe) and Courage (Gojira)
• Under Command (ft. Matt Rose) (GoMad! & MONSTER, Need for Speed 2015 soundtrack)
• Rip & Tear and SkullHacker (Mick Gordon, DOOM (2016) soundtrack)
• For the Masses (Gorefest)
• Revelation of Doom and Carving a Giant (Gorgoroth)
• Earthly Dear and Condemned to Obscurity (Gorguts)
• Disavow Your God (Gorod)
• Burn (Grave)
• Fear of the Nighttime (Graveworm) ^notation Despite the long, softer symphonic sections, the Blackness Metal parts solitary bring information technology to this level. Arguably a 9 overall, though.
• Earthworm (Grief)
• Heat Shadows and Venomous (Rio Hamamoto, Ridge Racer 3D soundtrack) ^note The two single hardest pieces that have ever appeared in the Ridge Racer series. The former is a borderline eleven due to the extremely noisy passages and slam death influences.
• Va faire la vaisselle (Gronibard) ^note The vocals alone make information technology a very hard 10.
• Battlefield 2042 ^annotation Gets to an eleven toward the end. (Hildur Guðnadóttir & Sam Slater, Battlefield 2042 soundtrack)
• The Lake Ladoga Massacre (Hail of Bullets)
• Defeatist (Hatebreed)
• Faceless 1 and King Of All Kings (Hate Eternal)
• Domination (Hate Forest) ^note With the exception of the level 1 intro
• Big Smile (Hatred Surge)
• Combat (Heaven Shall Burn)
• Beauty (Hellshock)
• Summoning Fists to Heaven (Hideous Divinity)
• Murdered Past A Woman (HIRS)
• Dead Trust (Hocico)
• Invert the Inverted Cross (Horde)
• Sedition Through Contemptuousness ^notation The more melodic guitar sections foreclose it from going over to xi. However, the loudness alone (what Hour of Penance is more than infamous for) should put it at 11. and Regicide (Hour of Penance)
• Beware (Humanity'south Concluding Jiff)
• Exist Here Now (Alex Banks Remix), Ability Bend (Noisia Remix) (Hybrid, Driveclub soundtrack)
  • Stampede (Ghost Recon: Futurity Soldier soundtrack)
• Killing Art and War-Path (Hypocrisy)
• Perfect Night (Tsuneo Imahuri, Trigun soundtrack)
• Higher Coward (Immolation)
• My Nemesis (Impending Doom)
• Yomi Yori Kikoyu, Koukoku no Tou to Honoo no Shoujo (Imperial Circus Expressionless Decadence) ^annotation This song is all over the scale: at that place are very at-home parts, and stuff that goes up to 11. The interweaved inhuman vocals and drum beats bring this upwardly to a ten, though.
• C.C.C.P.C.C.T.V. (Implant)
• Nerds on Mushrooms (feat. Pegboard Nerds) and Kazabubu (Infected Mushroom)
• Scream (In Flames) ^notation The scratchy guitars, vicious drumming and Anders Friden's loftier-pitched Harsh Vocals puts this higher up 9. Turns out the new Nu Metal-influenced In Flames can, at rare instances, exist even harder than the former In Flames.
• Tides of Vengeance (Iniquity)
• STRUCTURE (Internet Social club) ^annotation The sounds used in this track aren't very harsh, but it gets this loftier due to its extremely chaotic nature.
• The Gun Evidence (In This Moment) ^note The shrieked vocals bumps it up a level or ii.
• Self-Pity Human (In Thy Dreams) ^annotation Here because of the sheer aggression of the music, in dissimilarity to most of the Melodic Death Metal out there.
• Drawcia Soul (Jun Ishikawa and Tadashi Ikegami, Kirby: Canvas Curse soundtrack) ^note Borderline eleven.
• The Minus Times (Isis)
• Break the Sky (iVardensphere feat. Aesthetic Perfection)
• Tastes Like Kevin Salary (iwrestledabearonce) ^notation The song features Genre Roulette, which contributes greatly to its extremely jarring sound. In fact, the vocal ranges from full-on level 11 grindcore to poppy level three-four interludes.
• Beats Knockin, Jungle Bae, and Holla Out (Jack Ü)
• Collective Consciousness (Jamie Christopherson, Metal Gear Rising: Revengeance soundtrack.)
• Human knee Deep and Nourishment Through Bloodshed (Job for a Cowboy)
• Elephant Talk ii (JoJo's Bizarre Adventure OST)
• CXEMA (Kabutogani)
• Godeye (Kalmah)
• The Awakener and The Ambassador of Pain (Kataklysm)
• The Black Uncharted (Keep Of Kalessin)
• Shadow (Kevorkian Death Cycle)
  • The Hex Rx remix is also at this level.
• Number Earth (KIKIYAMA, Yume Nikki soundtrack)
• Leviathan (Killsonik)
• Kill the Noise (Function i) (Kill The Dissonance) ^notation Plainly ignore the intro, the whole song is extremely loud and jarring, though the melodic parts continue it from going up to eleven, which is virtually of the fourth dimension Kill the Noise's playing field. Office 2 is a 9.
• Saft Und Kraft, WWIII and The Unrestrained Use Of Excessive Strength (KMFDM) ^note WWIII was an eleven back when it was released.
• Destroy Them with Lazers ^note Though the song features the band'southward signature sound, the house interludes keep information technology from entering level 11., Internet Friends VIP ^note The intro sounds almost exactly the same to the original version, which is a level 9, just the added harshness to the bass drop (peculiarly in the finale) rank it at level 10., EDM Death Machine ^note Arguably a borderline xi thanks to the nighttime lyrics and the shrill basslines. (Knife Party)
• To The Sons of Human being (Killswitch Engage) ^note though this a light 10, this song is very hard for Killswitch Engage's standard, as nearly of there work hovers around an 8.
• No Name (Kittie) ^note Example of a vocal from an all-female person band at this level. Reaches a x, due to the song'due south death metallic-influenced riffs and black metal-like vocals.
• The Gospel and Mistakes Similar Fractures (Knocked Loose)
• Haterealm (Kronos)
• Fabric Identity (Last Sacrament)
• Black Label (Lamb of God)
• Dream Genie (Lightning Commodities)
• Second Skin and Bomber (Loadstar) ^note Both are borderline 11's.
• The Mudhorn (Ludwig Goransson, The Mandalorian soundtrack) ^annotation VERY close to eleven.
• Land Where Sympathy Is Air (Lykathea Aflame) ^annotation Probably one of the virtually melodic songs at this level, but the sheer brutality of the music tin can't keep it from being anything below a 10
• Speedcore Dandy (M1dy)
• This Is Your Face On Dogs (Auto Girl)
• Southern Hospitality and The Start of the Stop ^note The calm parts go on the vocal from reaching 11. (Clint Mansell, Requiem for a Dream soundtrack)
• Blooddawn (Marduk)
• Enjoy the Violence (Massacra)
• Symbolic Immortality (Massacre)
• Bladecatcher (Mastodon)
• What's Upwards People? (Maximum the Hormone) ^note The finale is a solid eleven.
• War on Terror (MaYaN)
• Deathcrush and De Mysteriis Dom Sathanas(Mayhem)
• The Hive (Melt-Banana)
• Tadpole (Merzbow) ^notation Starts at a 1 (deadline 2), then gradually rises in book and distortion until it somewhen reaches an 11 some time after the 3:30 marker.
• I Am Colossus and I ^notation Borderline xi due to the inhumanly heavy instrumentation, noisegrind influences and Jens Kidman'southward harshest vocals to date. Its sheer length and the sudden Mood Whiplash towards the middle of the song makes it fifty-fifty more unsettling, making it one of the harder level 10 songs., New Millenium Cyanide Christ, Drain ^note Possibly the hardest level 10 instance., The Injure That Finds You First (Meshuggah)
• Slipstream (Metrik)
• The Amazing Nero (Midnight Tyrannosaurus)
• Auto Run (listen.in.a.box)
• Hotbox VIP (Mind Vortex)
• No W (Ministry)
• From Me to You Too (Ibuki Mioda, Danganronpa 2: Goodbye Despair soundtrack) ^annotation The Creepy Monotone she speaks in for the lyrics is what keeps this song from reaching 11.
• Dreamdecipher (Miseration)
• Weight of the Globe (Misery Signals)
• Parasignosis (Mitochondrion)
• World of Nothing (Naoko Mitome and Chika Sekigawa, Super Paper Mario soundtrack)
• 道理の隙間 (Monnier)
• Taistelu Pohjolasta (2008 Version) (Moonsorrow) ^annotation Hands their heaviest. They're normally in the vii-9 range
• Purple Doom (Monstrosity)
• The Ancient Ones (Morbid Angel)
• The Vault of the Future (Mark Morgan, Fallout soundtrack) ^annotation Equanimous solely of a monotonal electronic drone, slamming metallic sounds, and distorted voice samples
• Last Liberation (Mors Principium Est)
• Scrolls of the Megilloth (Mortification)
• Battle Against The Masked Human (Mother 3 soundtrack)
• Determined (Mudvayne)
• Plague Rages (Napalm Death)
• Stabwound (Necrophagist)
• Darkness Prevails (Neuraxis)
• Papyrus Containing the Spell to Preserve its Possessor Against Attacks From He Who is in the Water (Nile)
• Bogey Boxing(Erina Niwa, Vanquish soundtrack)
• Venom (Nocturnal Bloodlust)
• Machine Gun, Regurgitate, Stigma (Noisia) ^annotation Some parts of "Stigma" are at Level 11.
• Let It Burn (Nothingface)
• Lazarus Regret and The Pale Haunt Departure (Novembers Doom)
• Drop Out (NW 260, DanceDanceRevolution)
• Slowly Nosotros Rot (Obituary)
• Inflicted (Obliteration)
• Ocean Gateways (Obscura)
• War (Oceano) ^annotation The original past Edwin Starr is a 2 or a 3. If information technology were a smidge faster information technology could be an 11. Even still, it'south a pretty harsh x.
• FL Studio Haters (Omnitica)
• I Practise My Crosswords In Pen (On Broken Wings) ^note Despite the brief clean vocals part and a few other melodic $.25, on a whole this is far too heavy for a 9. Very rare example of a metalcore song this high.
• Reciprocal (Origin)
• Corona, Rähinä I/Commotion I (Pan Sonic) ^note "Corona" is an example of a drone song reaching level 10 due to widespread distortion. While "Rähinä I/Mayhem I" is a hard 10 (if not a borderline xi), "Rähinä II/Commotion II" and "Rähinä Three/Mayhem III" are somewhat softer.
• Suicide Notation, Part 2 (Pantera) ^annotation One of the harder Level 10 examples due to the full-on drum blasting, the grindcore influences and Seth Putnam's backing vocals. The transition from Part 1 (which is a two) makes it even more jarring. Might fifty-fifty enter level 11 due to its appalling musicianship.
• Field of study ^annotation The start 4 minutes of the song is an 11, then in that location is a much softer interlude before going to a level 9 until the end of the song. In the remastered Revisions of the Past Version both sections on the side of the soft interlude are harder, with the latter now possibly pushing into a 10 itself. , Resident ^note Again, the remastered version is harder Can you Loan me a Raven? and I, Hedonist (Panopticon)
• The Lean Black Cruisers (Panzerchrist)
• Hurting(Larry Peacock, Descent II: The Vertigo Series) ^note Was an xi in 1996
• Shin-Ken, Part 1 (Persefone) ^annotation Function 2 is a 3.
• Out of the Trunk (Pestilence)
• Blood Eagle (Periphery)
• Tainted Empire(Perturbator) ^note Nearly of this is a hard nine, though 3:36-four:25 is hard 11, pushing this up to a 10
• Speculate (Phear Phace) ^note Borderline 11; the softer melodic bits and the woman vocalizing keeping from existence a full on 11
• Rinsa (Photek, Gran Turismo iv soundtrack)
• Towering Flesh (Hog Destroyer)
• Landfill (Pitch Shifter) ^note The majority of the Industrial album hits this level, but their sound reaches its zenith with this song.
• Bloodmoney (Poppy)
• Crawl Infinite (Dave Porter, Breaking Bad soundtrack) ^note The relatively calm parts keep information technology from an 11.
• Nasty (Spor Remix) ^notation The original is a soft 9. (The Prodigy)
• Splice, Pitch Blackness, and Enchanted Dots of Lite (Project Pitchfork)
• Sworn to Degeneracy (Prostitute Disfigurement)
• Hypercube (The Prototypes)
• The Velvet Machina (Psyborg Corp) ^notation Deadline 11.
• Mankind Harvest (Psyclon Nine)
• Epoch of the Gods and Alpha Breed (Psycroptic)
• Ghost Fight (The Psyke Project)
• Happy Valentine'south 24-hour interval (Psyopus)
• No More and Apocalypse (feat. Robin Hawkins) (The Qemists)
• Silence Calls the Storm (Quo Vadis)
• Terror (Zakir Rahman, the white chamber soundtrack) ^notation This might reach higher upward on the calibration if not for the softer second one-half of the song, but the disturbing mood keeps things in check.
• Photone Recruits (Phace Remix) (Rawtekk) ^note Borderline 11; the original is a solid ix.
• Simple Sight 2010 RMX (vocals) (RealFaction) ^note A soft 10, due to the comprehensible lyrics in the second verse. The original is closer to a vii or 8.
• Demoralizer (The Blood-red Chord)
• Anatomy of the Unknown (Red Harvest) ^notation Despite the heart role in the song, it remains in this level because of the brutality.
• Dead Forever (Ribspreader)
• Skyclad (Alvin Adventure)
• Lifelight (Redestructed) ^notation Borderline 11. The original is a 6. (Rotersand)
• Santa Muerte (Rotting Christ) ^note Hard 10 due its relentless aggression.
• I Saw the Face of the Person (Royalston)
• Beat of Destruction - Ryu Yonemitsu - Ys III: Wanderers From Ys (PC-Engine arranged version)
• Dark Side (Samael) ^note An example of Industrial Metal pushed up hither by its relentless speed.
• Raging Blood (Screw)
• C.T.F.O. (SebastiAn ft. M.I.A.) ^notation SebastiAn'south entire beginning album Total is full of 10s.
• Regenerator (Misao Senbongi & Shusaku Uchiyama, Resident Evil 4 soundtrack)
• The Vampire From Nazareth (Septicflesh) ^note Ditto as above. Too, toned down guitars, heavily guttural vocals and all-encompassing use of double-bass drumming go along it above 9.
• Rewards of Cruelty (Severed Savior)
• Grave Condition (Severe Torture)
• 21st Century Schizoid Homo (Shining (Norway)) ^note Portions of this song easily reach 11 and could be considered to be off the scale entirely. The original by Male monarch Scarlet is a soft 5 (at its time a solid 11).
• Chaos Theory (ShockOne)
• Osc-Sync Carnival (Lightning) (Hidenori Shoji, F-Zero GX soundtrack) ^notation The finale is an 11.
• Dagon Undone: The Reckoning (The Showdown)
• Death With Dishonor (Sigh)
• Suffice (SikTh)
• A Red Shape ^notation Would be an 11 if it weren't for the commencement. (Pedro Silva, OMORI soundtrack)
• Frozen at the Moment of Death and Gruesome (Half dozen Anxiety Under)
• Black Pigsty (SkisM & Trampa) ^note Borderline 11. The amount of open infinite in the drops balances out the brutal synths plenty to keep information technology in 10 territory.
• Slutstation Babylon (Skitsystem)
• Kill EVERYBODY (Skrillex) ^notation Yes, really. Go figure. The intro is an 8-9, the buildup is a four, just the part starting at 1:19 is an instant ten.
  • His remix of Benny Benassi'due south "Movie theater" is here also. ^note The original is a 4.
• Necrophobic ^notation While the rest of Reign in Claret sits at a ix, this song is a solid 10, due to the stiff death metal influence and sheer speed (248 bpm). and Disciple (Slayer)
• People = Shit, The Heretic Anthem, The Negative One, Solway Firth, (Sic) (Alive Version) ^note The original version is a hard 9. and Go This ^note Reaches this level, due to its grindcore influences. (Slipknot)
• Bats! ^annotation Borderline xi and Boot Dorsum (SMOR3S)
• Killer Dolls (Snarekrow)
• Brandish the Sceptre (Sodom)
• Freezer Burn / I Wanna Be Your Domestic dog (Sonic Youth) ^note A very hard 10, due to the chaotic vocals and sheer racket throughout virtually of the vocal. Would be an 11, if non for the (eerily) quietness of the intro. In 1983, the song would take only been off the scale.
• 50.O.5.E. ^note Mainly consists of a loud and loftier-pitched Drone of Dread. There are some gentler parts in between that make this a soft 10. and Ponyboy (Sophie)
• regimentation (Sorry most my face)
• Into Darkness, Transhuman, and Perversion of the Cantankerous (Soul Embraced)
• In My Own Greed ^note The first infinitesimal of the song is a 9; the rest is a solid ten through and through and Lash Past Lash (Spawn of Possession)
• Mausoleal Migrate (SPECTRAL WOUND)
• #$@%* Dudes Be #$@%* Sleepin (Splatoon two Octo Expansion Soundtrack) ^note Yup, Nintendo made a Expiry Metal rails. It'due south mitigated a bit by Pearl of all people singing it, simply it'south still a solid x.
• Menelec (Squarepusher)
• L.A. Blues (The Stooges)
• Rape Song, Detox and All Hail the New Flesh (Strapping Young Lad) ^note Fairly soft songs for a band that makes Level 11 Industrial Metal. They're notwithstanding pretty heavy, nonetheless.
• You lot Must Follow (Stratus)
  • Also, the Evol Intent VIP remix.
• Synthetically Revived and Bind, Torture, Kill (Suffocation)
• Final Determination, The Human Disgrace, Hellraiser, The Pleasures of Sin, Fourth dimension (Rewind) ^annotation The 1994 original is an viii, and Evacuate (Where'due south The Exit Remix) (Suicide Commando)
• You Only Alive One time (Suicide Silence)
• Raping a Slave (Swans)
• Emma-0 and Dynamic ^annotation Despite the clean vocals at the end, the song's ultra-aggressive pace nonetheless keeps it at this level. (Sybreed)
• Amputation (Synthetic Torture)
• Argus Battle, Crystal Viper Battle i and ii(Masafumi Takada, Vanquish soundtrack)
• Borrowed Fourth dimension (TC ft. Sub Focus)
• Centre of the Tiger (cover of the original past Survivor) (X Masked Men)
• Ranshuo (Tetsuo)
• Against Time (The Malen Est, Twilight Wing soundtrack)
• Everlasting (Thergothon)
• Norge (Thorr'due south Hammer)
• Discipline (Throbbing Gristle) ^note Despite being released in 1979, it still has the off-white chip of harshness that makes it a level ten. Repetitive beats, shouted unintelligible lyrics and a VERY lo-fi sound are all factors that contribute to the heaviness of this industrial song.
• Reign of Darkness and Shadow of Eternal Sin (Thy Art is Murder) ^note Both are among the hardest level 10 examples every bit well, although both are pretty soft for a band known for making level 11 deathcore.
• Knee-Deep in the Dead (At Doom's Gate) (Daniel Tidwell)
• Tin can You Hear Me?(TiltHAMMER)
• The Descent (Today is the Day)
• Yippie-Kay-Yay Mother!@#$%^ (The Tony Danza Tapdance Caricature) ^note Borderline 11, easily.
• Fuck You (Toxic Narcotic)
• Become Wicked, Bulldozer, and Terminating (Trampa) ^note Deadline 11; if you were to boost the bass, the track would become even harder.
• Sunset Dismantled (Trivium) ^note some other rare example of a metalcore band reaching Level x.
• La Ch'nille (Ultra Vomit) ^note a cover of a French pop song mainly used at marriages and parties. The vocals alone brand it a rather hard 10.
• Hymn I: Of Wolf and Fear (Ulver) ^notation The only thing that keeps this from being a hard level 11 is how melodic it is. Back when it was released, it would take been virtually off the scale
• The Quantum Symphony (Unexpect)
• Blood of Lies (Unleashed)
• Xeper and Dark Transmission (Vader)
• Are Y'all Descent? (Ron Valdez, Descent II soundtrack) ^note An 11 in 1995
• Subject Aught (Veil of Maya)
• Cleaved Glass Complexion (Vein)
• Befriend a Childkiller ^annotation The intro keeps it from existence an eleven. and Ultraviolent Junglist (Venetian Snares)
• Scum (Vile Gash)
• Dechristianize (Vital Remains)
• "Strata, Aeroscope" ^note An Out-of-Genre Experience for them, with its strong brostep vibe. (VNV Nation)
• Become! and Dying Retentivity (The Violent Vocations)
• Living In A Whirlwind (Warbringer) ^note Rare instance of a Thrash Metal song getting this high.
• Striking The Flooring (Wilkinson & TC)
• This Is Exile and The Saw Is The Law (Whitechapel)
• Tomb Of The Ancient King (Wormphlegm) ^note Difficult x. Despite the absolutely demented vocals, the calmer, more melodic sections go along this from beingness an 11.
• Myalgia (Prove Your Bones) (Wounder) ^note approaches xi towards the finish
• Carrion Flowers (Chelsea Wolfe) ^annotation Borderline. Gets hither more than so for its temper than annihilation else. Rare example of a female solo artist getting this high.
• Akustika(X-Fly)
• Scorched Blood (anthology version) ^annotation Similar to the level 9 Torch Mix from the single, but the percussion is more distorted. The original single version is an 8, and the Inferno mix is an 11.(Xorcist)
• I'll Impale You, The Darkness That Lurks in Our Mind, Flower Crown of Poppy and Kill God (Akira Yamaoka, Silent Hill, Silent Colina 2 and Silent Loma iii soundtracks, respectively)
• Weasels Ripped My Flesh (Frank Zappa) ^notation Would be an 11 if not for the last 30 seconds existence adulation.
• Get with the Plan (Eptic and Trampa Remix) (Zomboy) ^note The second drop goes up to 11, making the overall rails a difficult 10.
• Psyklon Aeon (Zyklon)

    Level 11

Genres: Any and all harsh and abrasive musical subgenres ^note Barbarous/Slam Death Metallic, Deathgrind, Goregrind, Gorenoise, Cybergrind, Pornogrind, Noisegrind, Raw/Bestial Black Metal, Drone Metal, Death/Doom, Funeral Doom, Mathcore / Mathgrind, the hardest Noise Rock, Powerviolence, Power Noise,Power Electronics, Death Industrial, the hardest Dark Ambient, heavier Brostep (especially Noisestep, Deathstep and Glitchstep), heavy Drum and Bass (east.g. darkstep, hardstep, neurofunk), Hardcore Techno (particularly Extratone, Gabber, Speedcore, Breakcore, and Terrorcore), Harsh Noise, Noise, Harsh Noise Wall, Black MIDI music, Electroacoustic Improvisation, Lowercase, the very heaviest Industrial Hip-Hop, Sonic Art

Matching mineral: Hyperdiamond (Aggregated diamond nanorods)

• Tokyo ^note Being over an 60 minutes long, the song jumps all over the scale. But at 22:25, the rails becomes Harsh Noise, firmly staying in the 11 territory. (・・・・・・・・・)
• 囮 (_snd)
• Chainsaw Calligraphy (16 Scrap)
• What Happened Here (Tauntin' Devils Mix) ^note The original is a vii (32Crash)
• Essersmooter ^note Industrial metal meets power noise. By far the hardest track Abbey has released. and Excuses (Abbey Nex)
• Anal Destruction (Abörted Hitler Cöck)
• Steel Shredder (Adam 10)
• Congenital to Grind (Agoraphobic Nosebleed)
• dlsc​(​Z​)​|​0 ne cc​/​te d ^notation The hardest parts of this runway wing off the scale simply there's enough respite to bring it back downwardly. and Rabbit Head (Aleph-seven)
• Cränk ^notation An case of "extratone" hardcore techno, where the BPM gets so fast that the percussion becomes a continuous drone. (Al Hickley)
• Despair (Algo & Dubloadz)
• Demons (Alon Mor)
• Pandemonic Hyperblast, I Am the Wrath of Gods and the Desolation of the Globe And then We Can Dice Happy, The Final Devastation of Dignity and Castigation & Betrayal (Anaal Nathrakh) ^annotation The most extreme Black Metal songs on the scale, hands downwardly. The latter is nearly off the calibration!
• Egg Constitute Homo ^note NSFW album cover (Anal Compost)
• Yous're Pregnant, So I Kicked You in the Tum and I Ate Your Horse (Anal Cunt)
• Street Fighter (Angerfist)
• Beyond Me (Antigama)
• Ktpa1 ^notation Under the AFX alias. VERY shut to becoming Harsh Noise. and Ventolin ^note If information technology didn't have an actual vanquish, this song would be off the calibration. (Aphex Twin)
• A Banquet for the Liars' Tongue (Arsis) ^note Another melodeath case at this level. Also, this is possibly the softest level 11 song.
• The Future of War (Atari Teenage Riot)
• In the Grip of Madness (Hell Keep) (Aubrey Hodges, DOOM (PlayStation) soundtrack)
• Fol3 ^note While not as harsh-sounding every bit "Gantz Graf", information technology's chaotic enough to achieve this level and Gantz Graf (Autechre)
• The New Style of Anarchism (Ayria) ^note Hands down, her hardest song
• Outrage (Thomas Bangalter)
• PartiesOver/PizzaPieCircleJerk (BaronVonBadGuy) ^note This is a link to the Newgrounds version of the sound, where it is presented in full. The complete lack of product puts information technology higher than information technology should be; combine that with many loud and chaotic sections (especially towards the end), which results in a vocal that'southward too insane for level x, but definitely not harsh enough to wing off the scale.
• System X (Barron)
• No Ane Wins (The Berzerker)
• Buried in the Back, Demonic Electronic, Legion, Solitude Is Bliss and Suckpump (BILE) ^note The third track is the hardest conventional song the band has made thus far. The other iv are noise pieces.
• STUPiG (BiS)
• A Vulgar Motion-picture show and Crypt Hecatomb (The Black Dahlia Murder) ^note Some VERY rare examples of Melodic Death Metal reaching this level.
• Flare-up and Xibalba Road Metamorph (Blackness Rain)
• Arrakis (Noisia Remix) (Black Sun Empire) ^note The original is a borderline xi.
• The Sculpture (SCP-173) (Cicatrice Germinal)
• The Little Death (The Body and Full of Hell) ^note Because what genres both bands play, anything from One Day You Will Ache Like I Ache will unsurprisingly sit at this level
• Sadistic Abductive (Brain Drill)
• In Pursuit of Misery (BRÄSS)
• Forsaken and Strangling The Weak (Bratkilla)
• Gebrechlichkeit i (Burzum) ^note Gebrechlichkeit ii is debateable
• Sore (Buzzov En)
• Mercury Cadre and Mars Processing Station(Allister Brimble, Descent 1, Macintosh and PlayStation versions)
• M^6 (Car Bomb)
• Festerday (Carcass)
• Regret And The Grave ^note Though the intro is around a 9 or ten, the rest of the song is a stone-solid 11. and Forced Gender Reassignment (Cattle Decapitation)
• Tsurupetakore and Aiaiaiaiaiaiaiaiaiaiaiai (CDR)
• Life'south a Glitch (Celldweller)
• The Only Matter I Know for Real (Maniac Agenda Mix) (Jamie Christopherson, Metal Gear Ascent: Revengeance soundtrack) ^note Despite the clean vocals, the noises fused with the tune put this in a higher place a 10.
• Bind, Torture, Kill and Silhouette of Death (City Hunter) ^note Many of their songs make it onto this level, but these two are extreme fifty-fifty by their usual standard.
• Intro (clipping.) ^note A soft eleven for the song sections breaking up the extremely harsh main trunk of the song.
• Salem and Sacrificed (Code: Pandorum) ^annotation Really, let's but save time and say pretty much anything this guy'south involved with is gonna exist up here.
• U U UWA UWA (CONSTANTAUTUMN)
• The entire Cruelty Team Soundtrack. (ConsumerSoftproducts) ^note Everything about the game; the music not the least of it; is designed to be as eye, brain, and ear-melting as possible. The sole exception is probably Martyrdom/Idiot Party which withal has some harsh racket typical of the other tracks simply it's significantly mellowed out with a soft 1 to difficult 2 melody.
• Axe to Fall and Phoenix in Flames (Converge) ^annotation Both are ultra-rare examples of Metalcore songs reaching 11.
• Toilet Cleaning (Corpse Penis Eaten Past Rectum)
• Paso Inferior (Corrupted)
• Subterfugue for Three Absynths, Modernistic Ruin Office 2, and Wir sind die Nacht (Covenant)
• Asphyxiate (Crash-Scan) ^notation The ring's heaviest song thus far.
• Slit Your Guts (Cryptopsy)
• Carnivore (Cursor Miner)
• Ionosphere (Cytotoxin)
• Club Doom (Danny Lewis, DOOM (PlayStation) soundtrack)
• Rollin' and Scratchin' Rock 'due north' Curlicue (Daft Punk) ^notation Easily the heaviest songs they've washed so far.
• Nothing Every bit Darkness (Dark Tribe)
• Evilution (Datsik & Infected Mushroom ft. Jonathan Davis)
• Die (Death Dust Extractor)
• Full Moon (Death Classic), I Break Mirrors With My Face in the Usa, Giving Bad People Proficient Ideas, Hot Head, Steroids (Crouching Tiger Hidden Gabber Megamix) ^notation Borderline on the basis that some parts of this are conspicuously not 11, though information technology rarely dips below 8. The xi parts are very hard though (probably the grouping's heaviest music they've e'er washed). Hardest parts are get-go 2 minutes, concluding 3 minutes, and 14:05-16:10 (Death Grips)
• Shrine (Deathpile)
• The Shrine of Mad Laughter, Scorpions and Drought and Famished for Breath (Deathspell Omega)
• Warm Leatherette ^notation The original past The Normal was an 8 (Decoded Feedback)
• Hammer-Forged Blade (Deeds of Flesh)
• Consumed by Repugnance (Defeated Sanity)
• Real Hardcore (Delta 9)
• Intrauterine Disembowelment (Delusional Parasitosis)
• Been Lead, Llevame, Lost and Losing, PCP Scapegoat, My West Side Horizon ^annotation Wild and outright ridiculous tempo changes prevent this from being any lower on the scale. The 25 2d mark is especially gruesome. and Past Reasons (Despise You)
• Noise Step (Devilman)
• Killbot (Sped Upward Remix) (Devin Martin, DjFrenkreturn) ^note Is calm in some parts, simply the drops are brutal enough to earn the song an eleven. The slowed down original is a 10.
• Expiry ^annotation Easily the hardest solo Devin Townsend metal vocal Devlab IV (Devin Townsend)
• Cocky Disembowelment (Devourment)
• Curl Out (Dex Arson)
• Worst Nightmare (Hardest Song on the World) (Diabarha)
• The Litanies of Satan (Diamanda Galás)
• When I Lost My Bet, Fix Your Face up, Good Neighbor (The Dillinger Escape Plan)
• Coma Gold -the god expressionless- (Rearrange) (DIO -Distraught Overlord-) ^note The original version is a x.
• Tsumi to Kisei/Tsumi To Batsu (2011 Rearrange) (Dir en greyness) ^notation The original version is a seven.
• Power Now (feat. Matt Rose) (Dirtyphonics)
• Rhizome (Disavowed)
  • And stepping upwardly to the bat alive
• Castration Rite, Angel Nowadays, Radiant Arkham, Pattern Blue (Discordance Centrality)
• Teeth of Emulation (Disfiguring The Goddess)
• Consume the Forsaken (Disgorge (U.s.))
• Jaundice of Hookworm (Disgorge (United mexican states))
• Flight Spaghetti Monster, Big Boss (Doctor P)
• Vacuum Cleaner (Mashup) (Doin, Pump It Up Fiesta EX Soundtrack)
• Party Alarm (Downlink)
• Boiled Angel (Dragged Into Sunlight) ^notation Probably the heaviest Doom Metal song on the scale. This track is astonishingly harsh and raw.
  • They also have this intense animate being Volcanic Nascency ^note The noise elements crusade this vocal to possibly break the calibration!
• Giygas' Intimidation, Giygas is Wounded, Giygas Is Fatally Wounded and Giygas Disintegrates (EarthBound soundtrack)
• Spinal Exposure (Effluence)
• Generation N, Nihilist Antiorem, Nothing Is (not), Self-Destruct Intelligence, and Truth Nonexistence (Eftos)
• Acute Episode (Eight Frozen Modules)
• Steh auf Berlin (Einstürzende Neubauten) ^note "Steh auf Berlin" starts out off the scale with the sound of drilling before settling into a hard 11 thanks to the enormously noisy usage of plant objects and the brutal vocals.
• Practise Not Scissure This and Suction (ELECTR)
• Dead Earlier Death (Emit) ^annotation At the very far terminate of the scale.
• Idol Saucer Breakfast,Rabbits Are Absurd and Chipmunk Fuckfest (Emray)
• Ruin(Endless Dismal Moan)
• Itabashi Girl (Kazumoto Endo)
• Disembowel the Meek (Enmity)
• RananaBananaPhone10 (EpreTroll) ^note Synthesia shows u.s. that it is possible to get upwards to this level using only piano.
• They Come Out at Night (Eschaton)
• The Paradox (Excision)
• Casket Krusher (Exhumed)
• The Authority of Angels and The Tower Guards (The Fallen)
• Doomsday Machine (Far As well Loud)
• Deception (Fright Factory) ^note Many of the songs on Concrete are 10s, merely "Deception" is a rare 11 for this band.
• Torture and Terror (Figure and Midnight Tyrannosaurus)
• Bass Cannon (Flux Pavilion) ^annotation We told y'all that Flux Pavilion is meliorate known for making very heavy brostep.
• Hate (Adam Freeland)
• Prototype (Front Line Associates)
• Colon Commando (Fuck... I'm Dead)
• Race You lot to My Bedchamber/Spirit Ascent, Rough Steez and Brainfreeze (Fuck Buttons)
• Kampf den Maschinen (Funker Vogt)
• Ghosts (FuntCase)
• Accelerator (Gearwhore)
• Vive la Guerre (Genocide Organ)
• Instruments Disorder (The Gerogerigegege) ^note At the very top of the scale.
• Pursuit (Gesaffelstein)
• What! (Getter)
• Necrofantasia (Gingeas)
• AZZ (Glitched Hero Y)
• Healing Open Wounds With Salt (Gnaw Their Tongues) ^note By far one of the very, very, VERY hardest songs at this level.
• Grotesque Appetite (Gore Beyond Necropsy)
• Stitched Oral Asphyxia (Gorgasm)
• Clouded (Gorguts)
• Croatan (The Goslings) ^note Perhaps the harshest Shoegaze band.
• Asuka (Gridlink)
• Low (Grief)
• Dodging Piledrivers (Nathan Grigg, FEAR soundtrack)
• Punie Amen 2019 and Love Density (GUNSLINGER-R)
• Waiting For The Engineer (Hildur Guðnadóttir, Chernobyl soundtrack)
• Razorized Ball Gag (Gutteral Secrete)
• A typical live functioning by Hanatarash.
  • And here's another ane.
• Devil Worshipping Motherfuckers (The Hard Way (Limewax, Bong-Ra, and Thrasher)) ^note Despite their tongue-in-cheek "satanic" aesthetic, titles like "Pentagram of Coke" and "Suck Satan'due south Cock" exercise footling to atmosphere the heaviness of The Difficult Way's music.
• Bird Seeds of Vengeance (Hatebeak) ^note Could you lot believe this song was sung by actual animals?!
• With Discipline Upon Flesh (Havoc Unit of measurement)
• Playrooms (Tim Haywood, Shadow Man soundtrack)
• A Consummate and Utter Destruction of the Senses (Heaven Pierce Her, Ultrakill soundtrack)
• Cotton Eye Joe Gregorian Chant Nightcore Hardcore Dubstep Remix (Horologium) ^note Despite how humorous the concept may be, the drop more than pushes information technology upwards to this level despite the relatively soft intro.
• Misconception (Hr of Penance)
• Degredation Paradox (Human Mincer)
• All Torque (Black Sun Empire Remix) (Hybrid, Driveclub soundtrack) ^note The original is a 6.
• The Choking Stutterer (I:Gor)
• Atrocities (Affect Hammer)
• In Reverence Of and Silence the Oppressors (Impending Doom) ^note The former was easily off the calibration when it first came out, in 2006.
• Abandoned Bathrooms (Incudine Pesante) ^annotation Nearly off the calibration.
• Soil the Stillborn (Baby Annihilator) ^notation The entire band sits at this level for the most part every bit an Appreciating Parody of death metal.
• Titanomachy (Ingested)
• God The Animal (In Gloom ft. Kyle Anderson)
• In for the Kill (Inhume)
• Rising to Immortality, Dagon'south Ascension (Internal Suffering)
• Rectum Grinder (Intestinal Disgorge)
• Kneel, Shut Up, I'thousand Trying to Worry, Substantial Guilt Vs. the Irony of Enjoying (Ion Dissonance)
• Charmicarmicarmicat Shines to Earth (Isis) ^note Hands the harshest song Isis has e'er released.
• Death Is My Gift, Garrotte, Princess Parts and Vodsel (Isserley) ^note This artist is a rare case where the clean vocals do nothing to soften her songs, with her style of singing actually making them an even more disorienting listening experience.
• Exile (iVardensphere)
• Testicles Dance (Jig Ai)
• World of Drawcia (Jun Ishikawa and Tadashi Ikegami, Kirby: Canvas Curse soundtrack)
• Final Night on Globe (June Miller) ^note Despite the spoken discussion samples, the dark, penetrating temper, the dawdling, distorted bass and the extremely fast beats (fifty-fifty for drum and bass standards) make this song a very solid 11.
• Pinknoise (Junko & Mattin) ^note Farthermost volume alarm: it wouldn't exist an exaggeration to say this leaves the calibration entirely.
• Teeth, At the Limit of Fertile Land ^notation Bandcamp link for track (Jute Gyte) ^note Probably some of the heaviest Black Metal in existence; the 24-annotation calibration this artist has employed since Discontinuities has taken the genre'southward trademark dissonance to new heights (or depths, depending upon one'south perspective)
• Disintegration of European Spousal relationship (Slobodan Kajkut) ^note Considering that classical music doesn't nearly reach this level, this is quite possibly the heaviest slice played past an orchestra.
• Release Aggression, Mmmmm, and Against Possession (K-TecK)
• Blood on the Swans (Kataklysm) ^note Near-abiding chaingun-similar blast beats and relentless tempo bring this up to eleven. One of Kataklysm'due south heaviest songs to date.
• Amongst Phantom Worlds (Katalepsy)
• Light Fields (Kevorkian Death Bike)
• Pieces of Quiet (Khanate)
• FACE and Guillotine World (KIKIYAMA, Yume Nikki soundtrack)
• Genocide Vocal (Killed On Video) ^note Fifty-fifty with the melody that appears halfway into the song, the track is too chaotic and distorted to charge per unit any lower on the scale. The song likewise ends in Harsh Racket.
• Bloodlust (Killsonik)
• Prepare Me Up, Mating Sounds of Helicopters, Nihil (skip to 4:42) (KMFDM)
• Mondo Brutale (Komprex)
• A typical live performance by Kylie Minoise
  • It gets worse...
• Pressure Road (Yuzo Koshiro, Ys Ii soundtrack)
• Match II (Ryota Kozuka, Shin Megami Tensei Iv soundtrack)
• Galaxy Collapse (Kurokotei) ^notation Tops out at 520 BPM.
• Robot Jungle (Johann Langlie, Descent Two soundtrack)
• Ulcerated Offal and A Divine Proclamation of Finishing the Present Being (Last Days of Humanity)
• Mope Mope (LeaF) ^notation Song is tough to allocate, half the vocal is at a 1-three, while the other half is at an 11. However, the song is congenital around the parts at 11, so that's the ranking it gets.
• Mega Ghost (Lightning Bolt)
• Chop Shop (Lil Texas) ^annotation Lil Texas'due south make of uptempo hardcore could hands be considered "more attainable" than many other artists, but that doesn't cease its abrasive nature from reaching a solid 11 from "I Am Excited" on.
• Passenger (Loadstar)
• I Am Sitting in a Room (Alvin Lucier)
• 960 BPM (m1dy)
• Dark Lady (Magwi)
• Black Sky (Mainliner)
• Neglected Rejection (Malignancy)
• Sara Goldfarb Has Left the Building ^note A soft 11. and Meltdown (Clint Mansell, Requiem for a Dream soundtrack)
• A typical live performance by Maria Cross.
  • And here's another 1. ^note The video has fairly bad audio, just one tin hands tell that Maria is definitely doing extremely harsh music.
• Inner Mind Mystique 3 (Masonna) ^annotation What if you took harsh noise and threw some shrieking grindcore style vocals on peak of it? You'd accept Masonna. Easily above an eleven. Easily.
• Suicide Bassline (Mefjus) ^note Hands downwards the heaviest drum and bass song listed in the calibration, thanks to its incredibly chaotic and messy musicianship.
• Complimentary The Bee (Melt-Banana)
  • The alive version is even harder, due to the fifty-fifty greater speed and the omnipresent noise influences in the guitar. ^note This song is a good example of how hard Noise Rock tin can go, and too of a vocal that reaches this level with instrumentation alone while still utilizing clean vocals.
• Promotion Human, Minus Goose egg, Forgotten Land ^note This and "Promotion Man" come form Merzbeat, one of Merzbow's softest albums , Requiem and 1930: Part 1 ^note Function ii is even harder (Merzbow) ^note More than than half of his discography consists of songs that are merely too hard for this scale; i of his well-known songs, I Atomic number 82 You lot Towards Glorious Times, is quite perhaps the single hardest and loudest musical piece of all time .
• Trip i: The Starting time of the Stop, Trip 2: Metamorphosis of the Sphere, Trip iii: Calls From the Otherworld, and Trip iv: Decomposition of the Heed (Mescalin Massacre)
• Demiurge, The Demon'due south Name is Surveillance, Elastic ^note Starts at x, then progressively gets crazier., Future Breed Machine (Commotion version) ^note the original is a ten and Chain. (Meshuggah)
• Mastermind (Final Dominate Theme) (Mick Gordon, DOOM (2016) soundtrack)
• Welcome to Yharnam (/due west Oolacile), Ork Technology, Ork Technology (MurDa Remix), Six Feet Underneath (feat. Sevora), and Grave Robber (west/ Murda) (Midnight Tyrannosaurus)
• On the Supreme Legions (Against Failing Humanity) (Mindly Rotten)
• Overture (Mind Vortex)
• Side F/Ten Include Mikey'southward Middle Finger (Tv set 4) (Ministry)
• Printer Jam (Mistabishi)
• Oblivion (Darren Mitchell, Turok 2: Seeds of Evil soundtrack)
• River Twygz Bed (Naoko Mitome and Chika Sekigawa, Super Paper Mario soundtrack)
• K (Moby)
• ;3333333333333 ^notation A very hard 11. and im so much cuter than you lot ^note Perhaps the softest vocal on the album, that doesn't end it from being an extremely hard eleven. (MOETANNN) ^note The other three songs on the album, die ;iii, im much cuter than you, and shut the fUck up are simply too difficult for the scale.
• City of the Expressionless (Mark Morgan, Fallout soundtrack)
• Train Station Ambient and Factory Ambience (Martin 'Cedyn' Czartynski, Painkiller soundtrack)
• Skinned (Mortician)
• Version and 010 (Mr. 76ix)
• Everyone I Went To Loftier School With Is Dead (Mr. Boggle) ^note Different the overwhelming majority of their material, this song stays in Level eleven territory throughout its duration. Intentionally then, as the band created the song with the goal of making it completely unlistenable.
• Now I Am Become Expiry, the Destroyer of Worlds (Nadja)
• Abandon All Life and You Will Never Be Ane Of United states of america (Nails)
• Bonehead (Naked Urban center)
• Mercilessness and Zatsuza (Manabu Namiki, Practice Donpachi Daifukkatsu BLACK LABEL)
• Mutilated Blasphemists (Necroptic Remnants)
• Fuck Y'all (Nekrosystem) ^note Typical speedcore.
• Theme for Tetsuo: The Bullet Man ^notation arguably NIN's harshest and to the lowest degree accessible song, drops to a ane at times before cutting back straight to 11, which simply adds to its harshness (Nine Inch Nails)
• Sacramentum ov Filicide (Nitheful) ^note The horrifically distorted scream at the finish doesn't help with the hardness either.
• Tommy's Theme and Incessant (Noisia)
• Moonway Renegade (Noisia & Mayhem) ^note In that location are spoken words in the 1:27 minutes introduction, but the excessive drum programming and abrasive bass after that puts this into eleven.
• 666 BPM (Noisekick)
• Brain Ability (NOMA)
• Abrahamic Godhead Besieged by Adversarial Usurpation (Nyogthaeblisz)
• Ocular Intercourse and Limp Dick Coprophilia (Odiusembowel)
• Unfortunate Discovery ^note The original version, "What Once was Lost", is much softer (Martin O'Donnell, Halo: Gainsay Evolved: Anniversary)
• Endless Hallway (OFF soundtrack)
  • And then there's this version that's been brickwalled to hell and back.
• Saligia (Origin)
• Leikkuri/Cutter and Rähinä I/Mayhem I (Pan Sonic) ^annotation The latter shoots off the scale by the two minute marker.
• I Staple Tapeworms On My Penis ( Passenger of Shit)
• Werewolf (The Path soundtrack) ^note The vocal starts off at a 1, merely it grows in intensity over time, specially after the loud screeching noise heard after the start minute rises in book, which solidifies the track at this level. The growling and screaming don't assist matters, either.
• The Ghost and the Darkness (Peckers)
• Machine Gun (The Peter Brotzmann Octet) ^annotation Completely broke the scale back in the '60s, and quite possibly the only jazz band to make information technology this high on information technology today
• No Natural Society (Pharmakon) ^notation I of the more outstanding examples of what she does for a living. Much similar Merzbow above, over one-half of her entire body of work consists of songs that are besides hard for the scale.
• Jotaro (Phiso)
• Gregarious and Wisdoom (P.H.O.B.O.S.)
• Titan and The 3rd Sequence (Photek, Wipeout 2097 soundtrack)
• Satellite - Needle in the Groove ^note The finished/released version is an 8, The King Of Negativity ^notation BILE's re-recorded version is a hard 7 Steamroller (Pigface) ^notation All three of these tracks are prime examples of what truly godawful production can practice to a song that is otherwise far lower on the scale.
• Yasawa Archipelago (Phyllomedua)
• Transcending a Mere Multiverse (Portal)
• The Kosmokrator(Nano Infect Remix) ^note The original mix is a hard nine (Preemptive Strike 0.1)
• Earthworks/Buried in Secrets (Prurient) ^note The opening three minutes are probably the closest affair to a proto-bass drop meme yous can get.
• Innate Abattoir Aptitude (Putridity)
• Hyungga is a tangled story (Pyha)
• The Music We Live For (Pyrotense)
• The Oracle of Nassau (Pyrrhon)
• The Big Black (The Quick Dark-brown Fox)
• Pinkamena Friends (QuietDuck) ^note Even harder remix of Pocketknife Political party'due south "Internet Friends"
• Almost Misanthropic (Radium)
• Dash Hopes, Dash Hopes II and Nuance Hopes Iii (Renard Queenston, Mungyodance soundtrack)
• Prison Ambience (Michael Reagan, Twisted Metal Black soundtrack)
• Metal Machine Music (Lou Reed) ^note Quite possibly the hardest anthology of the 1970'due south
• Come up Out (Steve Reich)
• Constantinople and Satisfaction (The Residents)
• Cleansing Siege (Take Them Down) (Revenge)
• Ziggurat Vertigo (Trent Reznor, Quake soundtrack)
• Overkill (Riot)
• Metanoia (Rogers Met an Iranian)
• The Metropolis (Christian A. Salyer, Postal soundtrack)
• Shambles (Scattle, Furi soundtrack)
• Étude aux chemins de fer (Pierre Schaeffer)
• Doggg (SebastiAn)
• Lobotomia (Septycal Gorge)
• Buried Once again (Severed Savior)
• Your Blood Is Mine (Astringent Torture)
• Aggravated Explosive (The Sickening)
• Without Warning - LISA: The Pointless (Epilepsy warning!) (SiIvaGunner)
• Car Flick (Silex)
• Loudness War and Frenchcore Guerilla (Sirio vs. D-Tox)
• Illusions (Six Feet Under) ^note Beyond whatsoever doubt Vi Feet Under'south heaviest song.
• The March and the Stream (Skepticism)
• Spahn Dirge ^notation Well off the calibration at the time of its release, Convulsion, Reclamation, Download, Noisex ^notation Yes, SP committed Genre Adultery and made a breakcore song (Skinny Puppy)
• Black Pigsty (Midnight Tyrannosaurus Remix) (SKisM & Trampa)
  • The TrollPhace remix is a soft eleven.
• Längst Ner På Samhällsstegen (Skitsystem)
• Ragga Bomb (ft. Ragga Twins) and Scatta (ft. Bare Noize and Foreign Beggars), Scary Monsters and Nice Sprites (Kretan & Moth Brutalized Edit) (Skrillex)
• (515) (Slipknot)
• Balefire (SMOR3S)
• Roswell (Snarekrow)
• Happppy vocal (SOOOO)
• Without Sight (Soul Embraced)
• Slogun (SPK) ^notation It would have gone way off the calibration at the time it was released, in 1979.
• Steinbolt (Squarepusher)
• Acidomanius Condolement (DJ Stellar)
• Shitstorm and Oh My Fucking God (Strapping Immature Lad) ^note By far, the hardest Industrial Metallic songs on the scale.
• Black Din, In Defence force of Resentment and Victims of Nostalgia (Street Sects) ^note Limited to these iii because the band simply has too many songs that accomplish into this territory, specially when looking at their earliest menstruum.
• Harm (SubVibe)
• Impact (Oolacile Remix) (Subtronics)
• Basstrain (Sub Zero Project + GLDY LX)
• Effigy of the Forgotten (Suffocation)
• Disquisitional Stage ^note The vocal reprise, "Where Do Nosotros Go From Here", is an viii, Murder ^note Borderline off the scale when information technology was released in 1995. This and "Dying Inside" are probably Suicide Commando'south hardest songs., Dying Inside, and When Evil Speaks (Suicide Commando)
• Aghartha, Báthory Erzsébet, and O)))Bow 2 (Sunn O)))) ^note The last one is virtually off the scale
  • Much like Lightning Bolt above, anything that isn't an xi in the studio version immediately becomes i in a live setting. ^note Their alive music is rumored to cause concrete side effects like fainting, airsickness and bowel disruption (among other things), and people who have shown up to their shows have claimed to quite literally experience the band'due south audio vibrating through their bodies during the concert.
• one.3 (Supersilent)
• I'1000 Sensitive and Unlistenable (Surgical Meth Machine)
• 93 Ave. Dejection and A Spiral (Holy Money) (live version) ^note The original studio version is an 8. (Swans)
• Superjail! Catastrophe Theme ^note Not by (Cheeseburger), who simply fabricated the Intro Theme
• Killdozer (t_error 404)
• Boogie Woogie Splatter Show (DJ Myosuke remix), Censored!! and do i smile´? (t+pazolite) ^note Ultrafast Speedcore with annoying noise thrown in. Solid 11.
• Elegance - obsessed condolement (Otoshi Takeuchi, Yume 2kki soundtrack) ^note Original name (dervied from game files): "ループ「雅狂楽」By音師竹内". Warning: disturbing video.
• Beloved and Safety Skin (Patricia Taxxon)
• Sanctified Dysecdysis (Teitanblood)
• Dominate Through Chaos (Terminal Trauma)
• Ich (Terrorfakt)
  • Welcome to Hell, equally the proper noun suggests, falls here likewise. ^note Though the song dips to a 10 towards the middle.
• Bad Apple!! 8.49 Million!! (TheSuperMarioBros2 and trollfacepalmAcer78) ^note Typical Blackness MIDI. eight.49 million notes in under v minutes. TheSuperMarioBros2's calculator can't go along up.
• Walls of Audio (Throbbing Gristle)
• Whore to a Chainsaw and The Purest Strain of Detest (Thy Art is Murder)
• Raped by Elephants (Torsofuck)
• Pure Hate (Tripped) ^note A perfect instance of a terrorcore rails going college than 300 BPM and the extremely distorted kicks assist keep it at this level.
• Rocket Fuel, Accident Up, and Runners (Trampa)
• Headbang Gang (Trampa & TrollPhace)
• Eriphion Epistates (Tsjuder) ^note An example of a more traditional Blackness Metal band reaching this level.
• D-Rythem (U.S. Difficult/Contemporary)
• El Gigante, Bitores Mendez, and Novistadors (Shusaku Uchiyama & Misao Senbongi, Resident Evil 4 soundtrack)
• Please Don't Leave Me (Uboa) ^note There is a single, 15-second refrain at the 1-minute mark that is a 3 at best, earlier devolving into a wall of noise metal.
• Bowwow (Underground Nation of Rotterdam)
• Crazy Bus theme (Unknown)
  • The Silverish Remix by Geoff Plays Guitar flies off the scale.
• Pressure Torture, Halfway Up the Stairway of Mucus (with Speedranch) ^annotation A comprehend of the intro to Led Zeppelin'south "Stairway to Sky" composed entirely of a pitch-shifted scream. This could very well be the softest song on Making Orange Things, with most of its tracks beingness at least VERY hard 11s or even breaking the scale completely. and Cobra Commander (Venetian Snares)
• Bad Apple Betelgeuse Mode (Alexander Verevkin) ^note Extreme Blackness MIDI. The note count (nearly 700 million) is completely ridiculous compared to most of the genre, and information technology isn't even in the acme 20.
• The Clinic (The Vehement Vocations)
• ShatterSphere (Virtual Terrorist)
• Beyond the Realms of Reason (Visceral Bleeding)
• Fragments and Art of Disharmonize (VNV Nation)
• Prodigy of Solitude (Vomit Remnants)
• Prototypes of Values Incarnation (Vomit The Soul)
• Chased Through the Woods by a Rapist (Waking the Cadaver)
• Supreme Imperial (Warface) ^note Good case of Xtra Raw hardstyle, which is equally extreme as hardstyle gets
• Fetus (WASP)
• Close Up And Bleed, Scab Collector, Steel Toed Rampage and Terrorists Don't Do Drugs (W.A.S.T.E.)
• Weeb- Light Speed (Weeb)
• Mourning Celebrity (Ween) ^notation Although they normally balance at a lower level, this song mainly consists of static, noise and distorted vocals. If it wasn't for the fact that many of the lyrics are audible, this would reach an even higher level.
• Bite Me ("Weird Al" Yankovic) ^note Book WARNING!
• Pazi Sta Radis (Sky Wikluh, A Serbian Film soundtrack)
• Daddo and Why You lot Never Became A Dancer (Whitehouse) ^note More of their songs, similar 'Philosophy', extend into fifty-fifty harsher territory than this.
• Korea (White Suns)
• Slaagt (Whourkr)
• 0-0 (Where Evil Dwells) (Wiseblood)
  • The encompass by Fear Factory is also at this level.
• Torture Ritual (Within Devastation)
• Ylem (Wormed)
• Peel and Blood & Valor (Bestial Warlust cover) (Wounder) ^note The sometime is a noise slice; the latter is an extremely barbarous metal song.
• Principle of Puppet Warfare (Wormrot)
• Freedom Swoop (eleven) ^note A rare case where angelic music gets this loftier, just the song is fast enough to merit an eleven.
• The Saw (xKore)
• [Xo]toxic and Eisenkiller (Xotox)
• Ego Death and Paracosm (Xtrullor)
• E.One thousand.M.I. Hunt (Kenji Yamamoto, Metroid Dread soundtrack)
• Until Decease, Path of Torment, Ain't Gonna Rain, My Sky, and Don't Cry (Akira Yamaoka, Silent Hill soundtrack)
• Creepy Crawlies (Sadhu Remix) (Young D) ^note The original is nearly a hard 9.
• Histrionic Ii (Yves Tumor) ^notation Directly up Harsh Noise. Their music is generally non so abrasive, especially since signing to Warp Records, although it does vary all beyond the spectrum.
• Make Some Noise (Zatox & Activator)
• Organ Donor (Zomboy)
• Molecular Clock (Zuntata, RayStorm soundtrack)
• Lower State of Consciousness (ZZT) ^note A rare case of a minimal techno runway reaching this level, thanks to the very harsh bleeping acid riffs

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Source: https://tvtropes.org/pmwiki/pmwiki.php/MohsRockMetal/Levels10And11

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